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#DJ #DJCity – 10 Reasons Why You Should Still Know How To Beatmatch …

December 22, 2015

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In today’s digital age where even CDJs have a sync button, it’s becoming harder for veterans to explain to younger DJs the benefits of learning to beatmatch manually (by ear).  While I do believe that, for better or for worse, beatmatching continues to quickly lose relevance in the DJ realm, that doesn’t mean that I suggest writing it off.

It’s no wonder that a lot of traditional DJs get their panties in a bunch about this subject, because it’s a skill they took weeks, months, or even years to master… and now “any Joe Schmoe” can press a button and have a computer do the hard work for them.  Because of this, newer DJs often miss a lot of the subtle details and observations along the way.

In this post, we’ll go over some reasons why new DJs might still be interested in learning this skill.  I’ll also go over some tips on how to learn, if you don’t already know.  What you won’t find is a lengthy diatribe on how it’s your duty, that’s what real DJs do, and how the sync button is ruining DJing.

Practical Uses

  • You can play on anything.  Knowing how to beatmatch manually gives you options.  Someone throwing a vinyl-only gig?  Show up at a gig where there’s no room for your controller (but they provide a pair of standard CDJs)?  Impromptu party at a friend’s house and want to use their gear?  What if your controller breaks or your laptop goes “tango uniform” the day of your set?  If you know how to mix the good ol’ fashioned way, none of these will be a problem to you.
  • It helps you learn about rhythm.  Beatmatching manually causes you to rely on your ear.  You are forced to truly listen to what it is that you’re doing, rather than allowing technology to fill the gaps.  Your ear begins to zero in on auditory cues, such as a distinct snare or hi-hat.  You start to notice how the percussion is structured… the syncopation and groove of the rhythm.  This, in turn, helps aid you with things like switching up genres and subtle mixing.
  • BPM counters and software are good, but not perfect.  I’m one of those DJs that doesn’t beat-grid his tracks when playing digitally.  The only kind of prep work I do has to do with library management, and occasionally, a cue point or two.  This affords me the opportunity to be “lazy” in that when I buy 20 tracks, it takes me 5-10 minutes to “prep” them rather than making an evening out of it.

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  • It allows you to mix to, from, or with other DJs.  If you are reliant on one particular setup and the ability to sync your tracks, you might as well throw out the idea of an impromptu tag-team set with a fellow DJ.  While it’s true that there are ways to electronically sync multiple DJ setups, it adds unnecessary complication, doesn’t always work, and doesn’t allow for you to play alongside a vinyl DJ.  It’s much easier (and more fun) to be able to just mix back and forth and not worry about what media formats are being used.
  • You can mix songs with tempo variations without having to modify the source track or use something like Ableton to warp it.  Not just songs that have an intentional BPM change, but also songs that aren’t perfectly quantized (such as mixing funk records with live drummers).

Courtesy of ‘David Michael

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